Laurel and Hardy Almost Always Funny 1933, Eric Rohman Ron Underwood modern and full of possibility

modern and full of possibility

Art By: Frank McCarthy

the poster is a superb example of East German cinema advertising at its most elegant and symbolic

starting in 1920

Very light touch  up to folds

Laurel and Hardy Almost Always Funny 1933, Eric Rohman Ron Underwood modern and full of possibilityLaurel and Hardy made screen chaos look effortless: one raised eyebrow, one slow burn and suddenly the whole world is collapsing around them. This early 1930s Swedish programme captures the pair in their prime, when their short comedies had become a global language. Eric Rohmans artwork turns Stan and Ollies instantly readable faces into bold graphic comedy. One of Swedens most important and prolific poster artists, Rohman created thousands of designs